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Group Harmony: The Black Urban Roots of Rhythm & Blues de Stuart L. Goosman

Descripción - Críticas 'With haunting voices and compelling arguments, Group Harmony brings us to a deeper awareness of the traditions, convictions, and energies, as well as the talent, that brought forth the R&B group sound. As oral history and social portrait, this is the story we need to hear about a music we'll never forget.'-Charles McGovern, College of William and Mary and the Smithsonian Institution 'Goosman challenges major myths, conventional wisdom, and historical inaccuracies concerning black popular music between 1940 and 1960. . . . A groundbreaking study.'-Popular Music and Society 'A must read for serious students of black music history.'-Journal of African American History 'An important and valuable contribution to the literature of twentieth-century popular music.'-American Historical Review Reseña del editor Group Harmony The Black Urban Roots of Rhythm and Blues Stuart L. Goosman In 1948, the Orioles, a Baltimore-based vocal group, recorded 'It's Too Soon to Know.' Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s. In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period. A few, like the Orioles, Cardinals, and Swallows from Baltimore and the Clovers from Washington, D.C., established the popularity of vocal rhythm & blues nationally. Dozens of other well-known groups (and hundreds of unknown ones) across the country cut records and performed until about 1960. Record companies initially marketed this music as rhythm & blues; today, group harmony continues to resonate for some as 'doo-wop.' Focusing in particular on Baltimore and Washington and drawing significantly from oral histories, Group Harmony details the emergence of vocal rhythm & blues groups from black urban neighborhoods. Group harmony was a source of empowerment for young singers, for it provided them with a means of expression and some aspect of control over their lives where there were limited alternatives. Through group harmony, young black males celebrated and musically confounded, when they could not overcome, complex issues of race, separatism, and assimilation during the postwar period. Group harmony also became a significant resource for the popular music industry. Goosman interviews dozens of performers, deejays, and industry professionals to examine the entrepreneurial promise of midcentury popular music and chronicle the convergence of music, place, and business, including the business of records, radio, promotion, and song writing. Featured in the book's account of the black urban roots of rhythm & blues are the recollections of singers from groups such as the Cardinals, Clovers, Dunbar Four, Four Bars of Rhythm, Five Blue Notes, Hi Fis, Plants, Swallows, and many others, including Jimmy McPhail, a well-known Washington vocalist; Deborah Chessler, the manager and songwriter for the original Orioles; Jesse Stone, the writer and arranger from Atlantic Records; Washington radio personality Jackson Lowe; and seminal black deejays Al ('Big Boy') Jefferson, Maurice ('Hot Rod') Hulbert, and Tex Gathings. Stuart L. Goosman is a writer and musician. He earned his Ph.D. degree in ethnomusicology in 1992 and was a full-time academic for ten years. 2005 | 304 pages | 6 1/8 x 9 1/4 | 15 illus. ISBN 978-0-8122-2108-4 | Paper | $24.95s | £16.50 ISBN 978-0-8122-0204-5 | Ebook | $24.95s | £16.50 World Rights | American History, African-American/African Studies, Music Short copy: Drawing on dozens of interviews with performers, deejays, and industry professionals, Group Harmony details the emergence of vocal rhythm & blues out of black urban neighborhoods in the postwar period. Biografía del autor Stuart L. Goosman is a writer and musician. He earned his Ph.D. degree in ethnomusicology in 1992 and was a full-time academic for ten years.

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Group harmony the black urban roots of rhythm blues pdf right now group harmony the black urban roots of rhythm blues pdf is available on our online library with our online resources, you can find group harmony the black urban roots of rhythm blues or just about any type of ebooks, for any type of product Group harmony stuart l goosman group harmony the black urban roots of rhythm and blues stuart l goosman 304 pages 6 18 x 9 14 15 illus paper 2010 isbn 9780812221084 2650s outside the americas 1999 ebook editions are available from selected online vendors a must read for serious students of black music historyjournal of african american history Group harmony the black urban roots of rhythm amp blues group harmony the black urban roots of rhythm amp blues goosman, stuart l 2005 university of pennsylvania press , philadelphia hardback , 291 pages , 240 x 165 x 25 cm , 0653 kg isbn10 0812238869 isbn13 9780812238860

Detalles del Libro

• Name: Group Harmony: The Black Urban Roots of Rhythm & Blues
  
• Autor: Stuart L. Goosman
  
• Categoria: Libros,Arte, cine y fotografía,Música
  
• Tamaño del archivo: 8 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

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Group harmony the black urban roots of rhythm and blues focusing in particular on baltimore and washington and drawing significantly from oral histories, group harmony details the emergence of vocal rhythm amp blues groups from black urban neighborhoods group harmony was a source of empowerment for young singers, for it provided them with a means of expression and some aspect of control over their lives where there were limited alternatives Group harmony the black urban roots of rhythm amp blues similar items group harmony the black urban roots of rhythm amp blues by goosman, stuart l, 1953 published 2005 group harmony the black urban roots of rhythm amp blues by goosman, stuart l published 2005 songs in the key of black life a rhythm and blues nation by neal, mark anthony Find ebook group harmony the black urban roots of op4ftwh5csbc doc group harmony the black urban roots of rhythm and blues paperback get ebook group harmony the black urban roots of rhythm and blues paperback university of pennsylvania press, united states, 2010 paperback book condition new 226 x 145 mm language english brand new book

Group harmony the black urban roots of rhythm and blues the audiobook edition of group harmony the black urban roots of rhythm and blues by stuart l goosman, narrated by armand hutton, is produced by university press audiobooksin 1948, the orioles, a baltimorebased vocal group, recorded its too soon to know combining the sound of tin pan alley with gospel and blues sensibilities, the orioles saw their first hit reach 13 on the pop charts Group harmony the black urban roots of rhythm and blues group harmony was a source of empowerment for young singers, for it provided them with a means of expression and some aspect of control over their lives where there were limited alternatives through group harmony, young black males celebrated and musically confounded, when they could not overcome, complex issues of race, separatism, and assimilation during the postwar period Stuart l goosman group harmony the black urban roots of the urban roots and ties of this talent created what goosman brands an overall music consciousness that embraces both celebration and resistance p 22 particularly insightful is the authors explanation of the various alliances that undergirded the evolution of a music industry in urban black communities